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Descarga Directa The Kindred David Newman 1987 MU Megaupload
02 Marzo 2010|07:44
Compositor: David Newman
Año: 1987
Procedencia: E.E.U.U.
Formato: MPEG a 128 kbps / 44,100kHz
Tamaño: 33,3 Mb (Comprimido)
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CONTENIDO:
1. Lullaby
2. Main Title
3. Hart Attack
4. John Goes Home
5. Epilogue
6. Transformation
7. John's Revelation
8. Harry's Van
9. Harry's Creatures
10. Amanda and John
11. Hart Escapes
12. La Mort Du Chien
13. Melissa's Jars
14. Amanda Dies
15. Nell's Death
16. Lab Reveal
17. Melissa and Dr. Lloyd
18. Lullaby
19. End Title
Link
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Crítica del disco de Andreas Creutzburg:
The Kindred has several positive surprises to offer but the score by David Newman is certainly the biggest surprise here. It was the third full-length film scored by the composer who had some experience in scoring creature films after having worked on another straight-forward Gremlins rip-off Critters (1986) one year before The Kindred. At that time, this new low-budget project was actually an improvement in David's short career towards the other, really terrible low-budget project Vendetta (1986). The quality of young Newman's score for The Kindred is really amazing and it is a real satisfaction to hear an (albeit small) orchestra adding a special flair to a low-budget project while recent Hollywood Blockbusters are relying on cheap synthesizer mock-ups (The Island anyone?).
The Kindred is a rich work compared to other low-budget horror scores. It opens (and ends) with a short beautiful "Lullaby" featuring wordless solo vocals by an unknown female performer. A variation on the melody from "Lullaby" follows in "Main Title" which offers a very subtle use of synths and goes into frenetic music for strings accompanied by piano during the second half. The melodic development of this score has 'David Newman' written all over it and you will immediately recognize the composers offbeat and frenetic musical style. The "Main Title" covers all the essential ingredients of the score with an emphasis on frenetic string music though it is nice to hear that Newman always maintains a melodic consistency even when the chaos sets in. A calm piano solo can be heard in "Hard Attack" followed by a dramatic outburst of orchestral music with frenetic strings.
"John Goes Home" has a mysterious beauty with its driving piano accompaniment and strings creating a positive feeling. "Epilogue" has a fine atonal variation on the "Main Title" with crazy outbursts of brass resulting in a thrilling orchestral piece (watch out for a nice David Newman trademark at 3:34). "Transformation" begins suspenseful with low-key music for strings and then goes into dramatic tones for horns and brass. Parts of this writing will remind the listener of Bernhard Herrmann's or even Jerry Goldsmith's thriller music (but yeah... which horror/thriller score doesn't?).
Low-key suspense music returns in "John's Revelation" followed by action music for strings accompanied by percussion and subtle synths in "Harry's Van". "Harry's Creatures" is another piece of quiet suspense music which does not really go anywhere in this cue followed by another orchestral outburst. The formula of the score continues that way until the end with noteworthy experimental sounds in "La Mort Du Chien" and a short statement of mysterious romanticism in "Lab Reveal". A reprise of "Lullaby" and the "End Titles" are bringing this decent little horror score to an end.
A disfrutar!!
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